This month, Dr. Richard Viladesau, Professor of Theology at Fordham University, helps us understand Baroque Lutheran Passion settings in a broader artistic and cultural context. In this episode, Dr. Viladesau discusses his book book The Pathos of the Cross, which examines how the Passion story was represented in Baroque theology, art, and music, in both Catholic and Protestant contexts. Fans of Bach’s Passions will enjoy hearing about the much larger historical and theological traditions in which these and similar pieces were composed and heard.
In J.S. Bach's time, Lutherans marked Good Friday--which falls in mid-April this year--with musical settings of the Passion, the story of Jesus's trial and crucifixion drawn from the New Testament gospels. Musical retellings of the Passion are still common in much of the world during Holy Week; as part of this tradition, Bach Society Houston will perform Bach's St. John Passion in April 2017. On this month's episode, Dr. Daniel R. Melamed (click name for bio), Professor of Musicology at Indiana University, joins us to discuss his book Hearing Bach’s Passions (click title to order), focusing especially on St. John. Melamed's book aims to help non-academics better understand the many complicated historical and musical dimensions surrounding the performance and reception of Bach’s Passions. It was recently released by Oxford University Press in an updated paperback edition.