To finish Season 4, we hear from Dr. Erin Lambert, Associate Professor of History at the University of Virginia. She joins us to talk about her book, Singing the Resurrection: Body, Community, and Belief in Reformation Europe, published by Oxford University Press. Our conversation covers how the Reformation fragmented late medieval belief about the body, resurrection, and community into a kaleidoscope of differing confessional notions which then found expression in song. We also talk about Erin’s research process and where her book fits with, and how it interrogates, existing Reformation historiography.
This month, we're diving into the world of Jewish salon culture in late-18th- and early-19th-century Berlin, a setting where women such as Sara Levy shaped the transmission and reception of Bach family music. Our guest on this episode is early music scholar and performer Dr. Rebecca Cypess, who joins us to discuss new research about Sara Levy in the book Sara Levy's World along with two related recordings by the Raritan Players: In Sara Levy's Salon and Sisters, Face to Face: The Bach Legacy in Women's Hands. Together, these projects provide new perspectives on the complicated musical and cultural agency of a notable upper-class Jewish woman in Enlightenment Germany.
If you can identify the sound of the harpsichord but know very little about its history and performance practice, this is the episode for you. Join us as Mark Kroll, internationally-known harpsichordist, noted scholar, and Emeritus Professor of Music at Boston University, tells us about a comprehensive new book on the harpsichord, the Cambridge Companion to the Harpsichord. Kroll edited the collection, which includes essays covering various national/geographical harpsichord traditions, key composers for the instrument, and 20th-century harpsichord music. Houston listeners who plan on attending Bach Society Houston's upcoming concert of Bach's Concertos, which includes the harpsichord showpiece Brandenburg No. 5, will be especially interested in this episode.